Thursday, November 30, 2006

Women of the Left Bank

I'm still thinking about Paris Was a Woman and at the moment am listening to Ed Sanders reading "Hail to the Rebel Cafe". I know a lot of Latin American women were in Paris or visited in the teens and 1920s, and I'll look through my notes to figure out who. All my biographical information on these writers is going into a wiki, which for now is private while I set up the structure and the skeleton, but will soon be public and editable by anyone.


I need to get a copy of Women of the Left Bank and add them too.

Here's some of the people I can list as literary women in Paris from the documentary: Djuna Barnes, Jean Rhys, Sylvia Beach, Janet Flanner, Alice B. Toklas, Colette, Janet Flanner, painter Marie Laurencin Berenice Abbott, Gisele Freund, Djuna Barnes, Natalie Barney, Sylvia Beach, Adrienne Monnier, Gertrude Stein, Ada "Bricktop " Smith , Josephine Baker, Renee Vivian, Romaine Brooks, Marie Bonaparte, Elizabeth Bowen, Victoria Ocampo, Vita Sackville-West, Virginia Woolf, Bryher.

We could also add:

* Gabriela Mistral
* Emilia Bernal
* Léonie Julieta Fournier (Nirene Jofre Oliú.)
* Comtesse de Noilles - Anna de Noailles

Of course, what about now? Where are we? Are we documenting this? I'd like to expand my women poets/writers wiki to right this minute and my own hometown. Why not document the moment and ourselves? Think of the riot grrl history that is already lost or slipping away. Let it be recorded on heaven's unchangeable heart or at least the internets, failing heaven.




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Monday, November 27, 2006

A few feminist seeds scattered to the wind and you

The documentary Paris Was a Woman, about just a few of the women in Paris in the early 1900s and especially the 20s; writers, painters, poets. I especially liked the interviews with photographer Gisele Freund. The tension between Stein and Beach as Beach suddenly turned to throw her weight of attention, of critical attention and great-man-making, behind Joyce and people like Hemingway who she decided was a big fat genius before he had written a single stitch.

Rant mode...

Consider the poisonous sexism of Joyce and how the poison is worse when it is in an elaborate feast. Think for a minute about how good Ulysses is, and it's damn good, and then about how he produced it while knowing SO many genius interesting articulate politically and artistically aware women and what women characters does he write? Not any who have a thought in their head - a dumb teenager who confusedly tolerates a masturbating creep on the beach and an illiterate slut taking a shit. I could slap him. (And also could slap every person who's ever pointed out Molly Bloom to me as an example of a female character I could love in great literature. (and no I said no I won't No) I can love the book and admire the talent but hate the dreadful vindictive poison -- as well as the thing in Joyce and so many other writers of dicklit that makes them gather masses of mediocre sycophants to make themselves look better - unable to tolerate other actual geniuses. It is just that sort of person who is consecrated later in history as a "great" writer, unfortunately - something to keep in mind as a sour-grapes comfort as the most of us head straight to being Minor Poets. Think how irritated I am as I continue to digest Orhan Pamuk's My Name is Red and the magma builds up in my fevered thoughts. Oh! The more beautiful and excellent the art, the worse the poison is and the madder as hell I get.

It was funny to be watching this movie with my partner who didn't really know any of the writers or painters even the most famous ones. Joyce and Stein, their names, but not their work at all and he had never heard of Sylvia Beach. That puts it all in perspective, doesn't it? I plotzed when he said "H.D.??? Who?"

To get the taste of all that out of your brain try downloading some of this:

Free mp3s of Adrienne Rich reading from Diving into the Wreck and other works - from the Pennsound archives. On the very long file, the 38 minute one, it sounded a little like Di Prima introducing her but then I decided it wasn't and the accent was just a bit similar. It's nice to have the huge file of the entire reading in my iTunes. I love hearing her inter-poem comments, nerdy little snippets about greek drama and patriarchy.

Oh, and if anyone happens to have some recordings of Di Prima's early readings I'd love to have more of them. I have her doing a few of the Revolutionary Letters; they're so flamingly fiercely beautiful!

Elisa speaking up about biological determinism. Very lovely!






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Tuesday, November 21, 2006

Dear Urbana Slam Poets and Bowery Poetry Club

Dear "Big Mike"... at the Bowery Poetry Club...

Fuck right off.

No I will not take off my shirt or show you my ass for your polaroids. Skeevy asshole. I"m so happy to go back to San Francisco and say goodbye to the Bowery's poetry scene... Where they knowingly tolerate blatant sexual harassers in their scene.

Dear women in the Bowery Scene and people who aren't misogynist fuckheads, I feel sorry for you that you have to put up with that kind of thing. Why do you?

Dear mc dude of the Urbana slam team, nice job of laughing off sexual harassment to my face. Also thanks for letting me know that "that guy hangs out here every single day at the poetry club." I'm sure everyone just thinks he's SO funny and such a character!

Dear guy working the door... I thought you were laughing with me and were complicit in my fool-baiting. "Thanks" for then when I confronted the dude about his fucked-upedness, then acting like you didn't hear anything wrong... And for saying that you didn't hear anything hostile. Because we all know that asking all the women in a cafe or a poetry reading to take off their clothes for a camera and if they have any "intimate" piercings or tattoos is just totally FRIENDLY... It makes women feel all appreciated and welcome and stuff...

Oh also? The tempting offer of a free copy of your book in exchange for the polaroids of my naked body... not tempting at all.

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Tuesday, November 14, 2006

Liveblogging: Blogging Feminism panel, Barnard, NYC


blogging feminism flyer
Originally uploaded by Liz Henry.
Panelists: Jessica Valenti (feministing), Liza Sabater, (Culture Kitchen), Alice Marwick (Tiara), Lauren Spees, and Michelle Riblett (Hollaback), Gwendolyn Beetham (NCRW).

*****


Intro by Janet R. Jakobsen from the Center for Research on Women.

I just came yesterday from a 70s feminism event, the Veteran Feminists of America, a book release for Feminists Who Changed America about second-wave feminism. But this, blogs, is carrying on feminism in new generation in a new medium. Gwendoyn and Jessica are co-moderating and co-editing the Scholar & Feminist Online. We're videotaping for that journal issue. The current issue is on women & sport. Full issue on blogging will be out in the spring.

Intro for Gwendolyn: She's involved with the U.N. [task force on...?] and the Real Hot 100. Founding member of Younger Women's task force, contributing editor for 3rd Wave Feminism Encyclopedia. And training institute for ... in the Dominican Republic. Graduate of the London School of Economics and Political Science. And BA from Kenyon. "My gosh, you don't look old enough to have done all that." *laughter*

Jessica Valenti. Feministing, NARAL, MA from Rutgers, Legal Momentum, NOW, Planned Parenthood, Ms. Magazine. Co-founder of Real Hot 100. Contributing author to We don't need another wave from Seal Press. (List of publications). Currently writing a book about younger women. Forthcoming from Seal Press.

Gwen: Thank you, thank you to Barnard and for being so supportive. Thanks for coming. Background: We propsed this idea to Barnard a year ago. At that time blogs were still edging their way into the mainstream. Today blogs are everywhere. all the major US news outlets have blogs. Also around the world. Where I'm doing my project on the UN the Sudanese govt used comments on a blog as an excuse to kick an envoy out.... Direct diplomacy. More liberal bloggers meant that blogs had jumped the shark. If even the UN is using blogs then we have a problem with using blogs for radical change,. Are blogs obsolete? Then what are we doing here? If you look at last week's election results you can see blogs are alive and well. One thing that hasn't changed a lot over the past year is the way that women are talked about in the blogosophere. The way that white males still get talked about most and dominate the political blogosophere. This is being examined in academia. Anyway, now over to Jessica, my co-moderator...

Jessica: We do everything together. It's like we're "heterosexual life partners". Let's hear brief intros from the other panelists.

Alice Marwick: Hi I'm Alice. I'm a phd at NYU, studying online communication... working in communications since 1995.

Liza Sabater - I publish Culture Kitchen and the Daily Gotham among other blogs. I'm an academic maroon, I ran away from phd program at NYU in neobaroque latin american literature.

Lauren Larken Spees, co-founder of Hollaback NYC. Also a found of Artistic Evolucion, non profit, social activism using art, technology, and bicycles. [Link?] Media arts. USC for undergrad in theater.

Michelle Riblett: I went to high school with Lauren.

Lauren: We were in boarding school together!

Michelle: BA from Barnard. Philosophy... worked in Rape Crisis center and anti-violence. Interested in feminist interpretations of disability, media studies, queer theory.

Jessica: A few words on why we wanted to do this panel and this issue. Why we think it's important. Vibrant community of feminist blogs out there. While there's an ongoing conversation online about feminist blogging, there hasn't been much offline. We need to communicate that there's a cohesive body of work. We wanted to make something available to academics and start a conversation between bloggers and academia and get the discourse doing. We have an amazing opoprtunity in front of us as feminists with blogs. How can we find those intersections where academia, feminsim, blogging come together?

Alice: Doing a broad survey of 2 things. academics and blogs; feminism and technology. I'm an academic who blogs, not a "blogger" . Why academics think blogs are interesting.
- they're easy to analyze; they're public.
- blogs tend to encourage values academics like interactivity: comments.
- egalitarian, anyone with internet access can blog
- resistance, ideology of resistance.
- academics do blog a lot. we love to hear ourselves talk.
- trend right now is to write huge paper then say "blogs are the answer".

We study effects of media consolidation on news practices. Emphasis on advertiser friendly stories, etc. Gail Tuchman "multiplicity of voices principle"- free speech is not enough. Must have diverse voices in media. Blogs posited as solution. Also as a solution to political participation. Horserace vs. analysis of the issues; blogs allow grassroots discussion of issues in depth. Even if pts of view are minority viewpoints.

What are academics saying? - analyzing blogs as journalism. Warblogging. Studies claim that blogs are changing journalistic practice; changing democracy. Academics write about blogs changing academia. A way to get out of the ivory tower. Start discourse with regular people outside the academy. 2 year delay on academic papers before they get into journals where no one reads them anyway. 3rd thing is blogs and gender. Indiana study - women. Are blogs "democratic"? Public discourse about blogs is gendered male, white, heterosexual. privileged over activities that are gendered female. Blogs seen as authoritative, if male. Women's blogs are given labels of gossipy, private, trivial, etc. Top political blogs written by men. Why? Because women don't write about politics? Or because women's plitical blogs are crappy? Neither is true. They found that men all link to each other and pay attention to each other and what is "good" is waht men say when men say it. [Is this referring to Herring & Scheidt paper...?]

2nd - 12 percent of world population is online. What happens when we posit this as a solution when people don't have access. When people are worrying about sanitation etc. Class based. Public libraries, filtering software. Social tech inequality in itself. The original idea was sort of that minds would commune on this pure level, disembodiment hypothesis. This viewpoint resulted in the white male subject being seen as the norm. if you identified as not white male etc. then you were seen as "playing the race card". Online stuff reproduces dominant culture's stereotypes. Female characters in games... where "fag" is the most common word thrown around as an insults. Quote from an article about "breast physics" and buttocks in gaming. *laughter* Power imbalance within tech industry. 30% of the workers are women but they are in marketing, proj management, but are not in decision making positions about features in a product. Enrollment in comp sci programs for women is dropping. Young girls to have access to tech. blogging is a good way for that.

We need structural change. We can't depend on blogging. But we need more women in tech and comp sci. Media loves political women bloggers bc they fit the maninstream definition... But we need diversity without ghettoization. Mainstream bloggers focus on each other. and think that the women and the queers will just deal with everything else, so they don't need to do it.

Nevertheless i think feminist blogging is very important. Networks of activists, writers, tech, has allowed me to inferace with other women in the industry. Validation of our politics when femism is left out of media. Blogs are today what zines were for me when i was a teenager. Women who are not corporate sponsored like ivillage or like barbie or fashion or chick lit or other consumer narratives of what it means to be a woman today. Important online to foster these feminist communities. Other communities can be very hostlie homophobic etc. Foster political changes. Thanks.

***

Lisa Sabater:

I have a different opinion about niche publishing. BLOGWAR!!! *laughter* It's a good conversation. I've been in the business of being online for 10 years. When I left academia... my then boyfriend was experimenting with these things that ended up being net art. Movement of painters and sculptors who happened to have day jobs as software developers. They expermented with web browsers... in ways that looked like art. *sees a familiar face in the audience* Oh! Hi Margo! She's part of the net art community! *waves* [Liz's note: I think Liza is talking about Rhizome]

At the time you had to be very skilled in coding. for me it was waiting to see what would come for someone who was a writer like me to get online. Years later blogs came and there's this thing called the blog revolution. I go from panel to panel talking about blogging. I'm trying to make a living blogging. Everyone talks about the blog revolution but no one can describe what it is. What is it about blogs that makes them revolutionary? I've been thinking about this for years.

Going back to one essay I read in a feminist lit course in NYU years ago. Las Tretas de debil. cfrom collection from collection called Tretas del debil by Josefina Ludmer. "The tricks of the weak". Essay is about Sor juana Inez de la Cruz - who is the reason I call my blog culture kitchen btw. [Liz's note: if you want to get what Liza is talking about, and you should, see "filosofías de cocina".] Defense againt inquisition. Told to stop writing about poetry, philosophy and science. Essay is fantastic, it talks about rebellion and revolution in terms of spaces. Not a metaphor. Not a gesture. About creating spaces where science and technology and knowledge are NOT SUPPOSED TO HAPPEN. Inquisition, nunnery, vow of silence, still opportunity for her to think aobut philosophy, think about physics, science, and to really find powerful spaces, spaces of power. And so, Let me read this... feminist of the politics of the personal turned public. Power is not about a fixed dialectical opposition, strong vs. weak. Power is about making spaces for expressions. Letters, autobiographies, diaries. At least in Latin American literature. Blogs fit nicely into this space. Personal realities. Deleuze and Guattari - Kafka towards a minor literature. Through thinking about that, we can understand how power dynamics are subverted by blogs. What Deleuzeand Guattari say about "becoming minor", in business speak on the web, it's called niche blogging. A minor literature is political, collective, revolutionary, and even spatial. It takes away territory. It takes away ethniticy, reace, state, country. A minor literature goes further, there's no subject, it's not Liza the person who is writing Culture Kitchen. Liza is an archetype for people to relate to this person online. It takes the idea of me online being not just a subject but an archetype, It's free to move around. There's this freedom to move around and be outside my blog, my body, my country, my race, my ethnicity, and can travel through the net as ideas and conversations. This idea of minor lit escapes signification and representation. To me this is really important. People think of niche writing as this very specific small reflexive way of writing, I actually see it as something much more powerful, giving a voice to stories that have been suppressed. Blogging makes that possible, the structure of blogging makes that possible. Power realtionships are altered. Four things related to minor lit and Deleuze and Guattari: vernacular language, vehicular, referential, mythic language.

(Well, that was 10, 15 years ago, ha, I'm really old! )

With Web 2.0, the permalink came about. When you post... can we get a web page up? now b/c of permalinks there's a map, this is not just a page. A web page nowadays is a whole map of relationships. It's not just relating to itself, it's relating outside itself. Media, big media, is about concentrating controlling the spreading of information, making it scares, impossible, for "the people" to take and participate in it. That's what tv, broadcasting is about, radio. With blogging you can say i'm going to refer to this particular part of the page, put in an email and send it somewhere. Now there's not just a space. There's a vehicular media like email or rss. You can read a blog outside of itself, blasting it through "crackberries", email, whatever. You can move a blog anywhere. Referential language - categories. It's not just a category for you but it opens up the whole web to looking..., Multiplicity of identites. Not just a feminist blog, it's a space where feminism expresses heatlh, sex, love, technology, politics, it expresses a whole myriad of different conversations with people who might not be interested in feminism at all. For an example one of my most hit posts, one of my writers wrote about forced pregnancy and celebrity porn. So people looking for celebrity porn came to feminism. The mythic language - memes. [Liza explains memes. I, the transcriber, rest my fingers.]

***


Lauren Spees: What Hollaback is. It's a campaign that makes a space for women to take photos of street harrassment, encounters, and post those stories online. Boston Globe wrote and article and refused to publish the address of Hollaback Boston. As a matter of policy, Boston Globe does not publish links to sexually explicit content. *groans from audience*

Michele: i wrote back to them that unfortunately, sexual violent statements are not acceptable to the women who receive them on the street ... [that's what we're fighting]. We asked for a copy of that policy. We love the exposure from the Globe but for them to refuse us an online link that was very critical. In online news if something isn't cited as a link it virtually doesn't exist. Defeated the purpose of exposing us to our potential audience. In contrast... a blog post on [??] generated thousands of hits for us.

Lauren: Big media is at a disadvantage compared to bloggers and their speed of response. [....?] when she took photo of subway masturbator... the police didn't answer but as soon as she put it on her blog, Daily News picked it up. [Which helped lead to Dan Hoyt's arrest.] Blogs helping and becoming our major ally... cyber critical mass - media consolidation is a reality but we're firing away at it. Hollaback offers a quick response.

Michelle: Blogging, photos captures the moment, anger, fear, reactions, in immediate way, not abstract and way later. It's easier for me to identify with them, to recognize the daily infrigements on my body i may experience. Hollaback allows this experience to be interpreted as if they'd experienced it personally.

Lauren - It's accessible, it's free. Something that happened to me - i was at the speakout against sexual assault in Union Square. They introduced us as the most exciting feminsit activists around. At the time i didnt' know i was a feminist OR an activist. Allows people to do the activity even if they don't identify with the word.

Michelle: Women who don't have anything in common other than having been harrassed can all post. They're relating the experience as their own.

Michelle and Lauren read some posts from Hollaback:
Post about the "professional menu distribution associate for caribbean flavors restaurant".
Then he pursued me down a few steps of the subway entrance getting really close to my face and leaning in,"Marry me!" I put down my bag and grabbed my cell phone, he protests, "No. Why are you taking my picture? Oh oh, I see you want my picture so that you can go home and wack off to it."


Holla Herzegovina post. Video post. Vlog.
(firefox crashes.) Oops!

The "fuck your own ass" post of the guy on the train platform. Then, "i want to be your toilet paper".

[I can't remember which one said this, Lauren or Michelle, but, damn, it's GOOD.]
What you might notice from the posts. When we read the posts, from our experiences, we cant help notice this seems so wrong. Hollaback doesn't define for others what counts as street harrassment. The tone matters, the intention and translation matters. All the posts come together to show the slippery and icky stuff of gendered power relations. These interactions are not about sex. They are about using and wielding sex to express power.

***


Liza : You mentioned that the fastest way to get your story out there is to put it on a blog. The one complaint i have about that is it depends on how big your networks are. Who are the people i would trust with something i write online? it puts it into perspective you need other people.

Jessica - With feminist blogging we run into that a lot when you're writing anything political, particularly feminists, you're leaving yourself open, you're going to get some really nasty comments. Anyone can come on. It's a dangerous place to be and it's a scary place to be for a lot of feminist bloggers. There's been a lot of discussion about how to support each other. Trolls. Horrible stuff, like "fuck you you dyke bitch", or whatever. And it helps for 20 other feminist bloggers to be like "oh yeah fuck you too go to hell" to them. Comment registration, etc. can also help, [but doesn't stop it all].

2 Questions from a guy standing in the back:
- question [I missed the first question. I think something about editing/censoring.]
- Why blogs, why not just web sites or bulletin boards, whey are they so appealing, fashionable. Why not bulletin boards which are more interactive? Why blogs?

Michele - We state in our site we reserve the right to edit for clarity. We have statements about race and class on our site. Replacing sexism with racism or classism is not a proper way to hollaback. I am referring to historical stereotypes of men of lower socioectonomic status, men of color, as being stereotpyed as sexually violent. [It's not useful and Hollaback doesn't allow it and will edit it out of posts.]

Liza - Two tracks on my blog. Contributors and contributing editors - then other articles on sidebar. i sometimes move stuff to front page [for emphasis]. There's different ways to read it.

Jessica - On feministing there's no editing, there's 6 contributors and they post what they want. it depends on the blog, though.

Alice - Web sites that were personal homepages required people to know some html. There was a technical barrier to entry that you had to teach yourself. i taught myself html when i was working as a secretary. Why journals, diaries, etc. online? Women journaling online since late 90s. But only once you got blogosophere gendered male that people pay attention to it. BUT also blogging tools became very easy to use, and that opened barriers.

Jessica - Comments section on blogs, interactive that way. Conversation. LIke a bulletin board. But what's exciting about blogs is the immediacy. Blogs updated a lot. Blogs important for femininst activism, for example when the Bureau of Labor Statistics decided not to report on women [its Women Workers Data Series: more here] anymore and I blogged and months later i got an action report from NOW. If we had been working together we could have taken action quickly.

Woman in audience; I think alice said 12% of the world is online?

Alice: It's a stat from a resesarcher, africa... [I missed the citation]

Woman in audience: Class analysis of blogging. Higher income white feminists? Are blogs contributing to that legacy? Are lower income people being involved in blogosphere

Jessica: Yeah.

Lauren: Anyone who owns a cellphone has a remote ip address. Anyone who owns a cellphone can blog.

Liza - i'm suspicious of stats that say 12% of people are online. People have crackberry. They pay 300 bucks for blackberry, high but less than paying 1000 bucks for a computer, and a landline. They're online, but not counted. There 's a core group of colored bloggers, the digital ethnorati, we have higher incomes but we also have, we happen to be in these social-class-blended families. There's a lot more people of color with access to the internet through cell phones and pdas. Recently I was at a conference with ESPN Mobile. The fastest growing segment of population was Latinos followed by Asians and African Americans. Digital divide - we have to stop thnking that way. We have to stop thinking of computers. You can read a blog on this (holds up phone). You can post.

Alice - You can post from your pda, i do it all the time

Liza - i don't have the patience.

Alice - Big differentials between [styles, patterns of] access , asia, europe, north america. Internet cafes. Different patterns of usage. One person in a community has a computer and they charge other people to come use it.

Guy in front row - Alice you mentioned that very few top political blogs are written by women b/c of the men linking only to each other. Michelle Malkin, Pandagon, firedoglake. I mean, 2 years ago Pandagon didn't have Amanda Marcotte on it! What changed?

Jessica: I bitched about it. Bitch enough and they throw you a link.

Liza: Shelley Powers is someone who is a must read... burningbird [archives] is a must read for anyone interested in the hisotory of the blogsophere. Speaking from the margins to power. She nails it over the head what happenes with tech bloggers is just what happens with political bloggers. There was this ad, feminist pie wars, women on reality shows, ad on daily kos. Some women on daily kos got really offended. why do we have this ad on daily kos? Markos said with typical charm, you smelly hippies, sanctimonious women's studies, have no place on this blog. It created a whole shitstorm. [Good explanation here with links to major feminist blogs discussing it.] At the time in this country we were getting ready, Katrina hadn't happened yet btw. Right before Katrina. We already heard that Justices were coming down, Alito, Robertson. I wrote this post about why diversity is even an issue. He front paged it. [Liz: Is it this post on "no black bloggers"?] Of course he doesn't talk to me anymore... After Katrina, after Supreme court... they know they need us. They need feminist bloggers. We wrote a manifesto as feminist bloggers against Robertson. [link?]

Jessica: that's not to say we get the credit we deserve, still.

Liza: No. *laughter*

Jessica: Who does the nytimes talk about when they mention a blogger? The same 3 guys over and over. We did it ourselves - we linked to each other and supported each other. [...] blogs revoulutionized feminist politics. Top male bloggers, aasking them dont you think it's a problem, all the top bloggers are men. They said "No." The conversation for them ends there.

Liza: Organizations encourage that. Working Assets has media training... they found someone to get this grant. Only 5 bloggers were going to be trained to go in front of media. Markos, Atrios, same people who appear as face of the blogosphere. Now Mary Scott Oconnor [of My Left Wing, a woman from firedoglake. No people of color. And this was done by Working Assets, not a right wing organization. That's problematic. I feel that for the future of feminist blogs and future of progressive politics in the US it's up to us to look at ways of organizing. There is power in actually having a flock or an aggregate of bloggers sharing resources, sharing access, and power. If we're going to wait for someone to give it to us it's not going to happen. The tech allows for coalescing, creating different power structures.

Jessica: We don't want to recreate the same sexist racist homophobic paradigms in our new structures. At a conference -that panel - on the "power of the blog" - all white men. Sausagefest! and as soon as the mic came around to a woman (it was .... ] and said you're talking about power but you're sitting up there all men. And they said what do you want us to do, back off and not be on the panel and say no [to being on it]?

Liza : I'm on the board of BlogHer, an organization to raise the profiles of blogging women. Estroswarms around tech and political conferences. Get a whole bunch of women and drop them there.

Lauren: There's one thing with the net and with the grassroots. You have to be both. Tou have to do more than online. Some of the most success we found getting mentioned in media have been from attending or creating different performative events. We did the idiotarod. *laughter* A crazy shopping cart event in NYC. We got our first media attention there. New York Metro Daily. She [who?) wrote an article. Talk to people. I volunteer at Bluestockings, a political bookstore, and [meet interesting feminists all the time there.]

Woman in audience: What are these political blogs - list some. You all seem to know each other. How? Who?

Jessica: You'll have a huge blogroll on the issue of the magazine. If you go to our blogs and look at our blogrolls.

Liza - three categories of feminist blogs
- ones like Lauren and jill at feministe - they talk about feminsm
- activist blogs like Hollaback
- then people like me, in the middle - I dont write about feminism, i write about everything from a feminist perspective. it's a praxis more than anything esle. Even if there's a blogger who's a lawyer, there's law profs, photographers, artists, technologists, mommybloggers, they identify as feminists, transgender bloggers as well. And men btw, men who call themselves feminists . Alas a Blog. publisher is a guy. Barry Deutsche.

Audience question: What is it that... (i missed the question)

Lauren: I found a community. I didn't realize - I didn't know what I was missing and then I realize that all the different parts of myself fit into this way of activism and feminism.

Margo, in audience, the artist: What do you think about discussions in blogs, in their discussions, so public, the kind of language that's emerging, the way of empowering each other, perhaps some of that content, has cultural difference, can you comment on that.

Alice - people are putting themselves out there. a lot of cultural anxiety around information aggregation. In 15 years you're going to regret it, i'm so glad there was no internet when i was 13. Or people getting fired for their Myspace. The social practices have not caught up with the technology yet. Privacy is a big one. People are willing to provide a ton of personal information. sites asking what your income, your gender, sell your data. That really is a big concern. it's a little too early to say what the overall cultural impact is going to be. i can't speak to the linguistics aspect.

Liza - speaking with (Mark?) last night. Extended consciousness. No such thing as a separation between virtual and real. An extension of who we are. This flesh we carry. It should be treated as material. What you put there may have more of a life than you. Even if you take down your blog, do archives.org scrubs, the wayback machine, somebody in some place in the world might have a scrapbook copy of your site because they like it. Or, porn people scoop my site, because of my google ranking. So what you put online is the closest thing to immortality.

Lauren- My mom's found all sorts of things about me online.

Liza - My own children. I made a distinct decison to not give away their privacy when they had no choice in the matter. I talk about Thing1 and Thing2 once in a while, and I put that we went to Puerto Rico and how they were pretending to be Coppertone [.....] but I never identify them by name. Because they don't have any choice in the matter.

Woman in audience - Definition of a blog? Different properties, having links, being updated multiple times per day? i'm a little bit fuzzy.

[Liz/transcriber: Okay, here I just *have* to leap in and say I would answer this question from this person simply by saying: a blog is a web page you control, that is structured so you can update it very easily with frequent posts, and many have features that make it easy for people to leave comments on what you post. )

Liza - A blog is a group of software that resides in a server and it's, there's three elements. The script that produces the web pages - could be written in anything form perl to php. The two main languages in which blogs are written. You have a database, you need a database in where you write is going to reside. Databases are software, they're soft machines. The third element that mkes them different froma livejournal diary, is that you can pretty up your blog. You can design it and do CSS and the html. And that's why it's web 2.0. Because web 1.0 was all hard coded... on a page it might turn into 15, 20 printed pages... whereas a blog, it dynamically puts those things together.

Jessica: Liza's a real geek, I wish I understood that stuff... but that's not how I define it. When i define blogs I say it's the immediacy, it's the updated frequently. Comments section. i don't think it's really a blog if it doesn't have comments. And a sense of community. Having a blogroll, linking to other bloggers, having online relationships. Not so much for the tech.

Lauren: it's so easy, we could have sat here right now and made an awesome blog about this panel.

Liza - i'm from the first wave and i have to install it myself.!!

Thanks - applause -

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Saturday, November 11, 2006

Writers With Drinks tonight!

Y'all come to WWD tonight and hear one of my favorite poets, Steve Arntson. He does mad things with geography in very long poems which he mostly recites from memory. I've heard him declaim for 45 minutes without stopping! He's a master of juxtaposing imaginary landscapes and history into any moment, oddball freewheeling descriptions, with language that's densely layered & conversational. Yay, crazy beat poet legacy!

I'll be there to cheer him on!

Award-winning spoken word show Writers With Drinks mashes up your literary experience! This month it features:

- lit by KE Silva (A Simple Distance)
- erotica by Spring Opara (Ultimate Lesbian Erotica)
- comedy by Dana Cory (Q Comedy)
- journalism by Katie Hafner (The Well)
- poetry by Steve Arntson (Cuts from the Barbershop)
- SF/Fantasy/mystery from Madeleine Robins (Petty Treason)

Where: The Make Out Room, 3225 22nd. st. btw. Mission & Valencia
When: Saturday, Nov. 11, from 7:30 to 9:30, doors open 7:00
How much: $3 to $5 sliding scale, all proceeds benefit other magazine.

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Tuesday, November 07, 2006

Spoken word memoir

Just said this on mailing list but I want to stick it here too so I can remember it and think about it some more. In the context of people saying their students write this kind of thing that is more "performance art" than poetry. What I'm looking at is that this form is a new form - or genre - that we have a hard time judging properly - and there is a knee jerk reaction against it, but that's because we're seeing its manifestations popping up all over and not (as we will 30 years from now) its "best" or most characteristic examples. (And mediocre or dull formal poetry is certainly as bad as mediocre spoken word memoir.)

So this is a bit out of context but, anyway, here.

*******

I tend to feel that there's a trend of memoir-style spoken word
performance that isn't what I think of as poetry. It's a form that's not as dense and declamatory even as long poems; it's more like the pace of a section of a novel. I think of them as vignettes or as their own form whose conventions I'm only starting to understand. As poetry, I don't always like them. But as whatever they are, they're their own thing.

There is something about the "coming out story" to them; again, they follow a convention of memoir, but of a sort of monologue sharing-aloud memoir. Does anyone know what I'm talking about? I could try to find examples online.

As far as content, the spoken-word memoir seems to extend and turn what I think of as a convention of the generation before me - the Boomer confessional, in which a shade of emotional subtlety is revealed - what is secret is revealed - the "private" of the nuclear family is violated in speaking the unspeakable - then, a moment of aesthetic awareness. For the younger spoken-word memoir poets there is a firmer security in speaking that kind of thing. It comes out, but it isn't all. I think the point is more that it's a conscious establishing of political identity, a playing
with identity and story.

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Bilingual creative writing prof job announcement

University of Texas at El Paso
Creative Writing, 500 West University Ave Liberal Arts Room 415, El Paso, TX 79968
http://www.utep.edu/
Tenure-track Assistant Professorship in Creative Writing [803]
University of Texas El Paso

Dept. of Creative Writing

Tenure-track Assistant Professorship in creative writing. Specialty open: fiction, poetry, playwriting and/or screenwriting beginning September 1, 2007. Translation and non-fiction also of interest as secondary specialties. The candidate must be bilingual, Spanish/English, and able to deliver instruction in both languages. At the graduate and undergraduate levels teach workshops and literature courses. Successful applicant will also teach one online course each year in our new Online MFA. Salary competitive. MFA or PhD required.

Interviews for this position will be conducted at the Modern Language Association convention. Preference given to applications received by November 17, 2006, but position will remain open until filled.

The Department of Creative Writing at the University of Texas El Paso is the only such program in the United States to offer fully bilingual study. It currently has 35 full-time graduate students and the undergraduate major has 170 students and is growing rapidly. We offer a broad-gauged curriculum that trains students in Fiction, Poetry, Non-Fiction, Playwriting and Screenwriting, as well as literary theory and the history of form. Our MFA student body is international and cosmopolitan. We produce the Rio Grande Review, a bilingual publication with a strong international dimension. Our highly productive faculty has a distinct presence on the national literary scene. Our website is www.utep.edu/cw

Please send cover letter, résumé, and the name, address and telephone of three references to: Johnny Payne, Chair, Dept. of Creative Writing, Liberal Arts 415, 500 W. University Ave., El Paso TX, 79968.

The University of Texas at El Paso does not discriminate on the basis of race, color, national origin, sex, religion, age, disability, veterans status or sexual orientation in employment or in the provision of services.
Rosa Alcalá, Assistant Professor Bilingual MFA
University of Texas at El Paso
PMB 670500 W. University Ave.
El Paso, TX 79968-9991
www.utep.edu/cw
Office: Liberal Arts, 212
915-747-7020

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Friday, November 03, 2006

Restraint in poetry

An epiphany of annoyance. I hate the ways that class status in U.S. poetry is about restraint. It is the tightly reined emotion, squished and squozed into formal patterning. It's polite, it kicks against the pricks in a tiny box, it understates, it's wry in its little distance and its scope of muttering under the breath. It's like everyone's got the mute button on. Civility! Aesthetes! Subtle hand gestures in an apologetic ballet! Tiptoeing prissy-assed highwire, scripted bow & curtsey...

Fine, there's a poetics of the quiet moment. I can respect that. I can even respect the extreme neoformalistas, their exquisite marzipan sculptures and intricate architectures. But that is not all of poetry.

In this context, I realized my sprawling, messy yells will have a hard time finding a home if I ever get off my ass and send them out. I don't want to tuck in the ends in a neat little knot - it makes me feel like vomiting when I realize I 've done this in a poem. I don't want to do what everyone else is doing! I don't want to struggle to discipline myself to epitomize the thing that other people are all fucking doing! How boring and sad a fate in the larger scale of literary history. My god. Break something, would you people?

Some emotions should be broken! Messy! Huge! Fucked up! Not stuck into little free-verse couplets. What's up with that?
Where are the enormous instrumental breaks as the band jams way past midnight and the song becomes bigger than itself and a light goes on and guitars catch on fire, the explosions on stage? Where are the performances that become riots and the riots that don't start as performances? Juggernauts, elbows, bulldozers, explosions, action movies, shockwaves, meteors? Rants & manifestoes, mothers of the word!

Poetry magazines piss me off today! I'm nauseated by the whole "thing", by scenes, by the grubbing and scraping, by the lack of actual caring and intercourse and conversation and sparkiness. Once in a while get to see it and it makes me so happy.





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Monday, October 30, 2006

A slick site for book-buying

I don't usually read email spam, but this one for Booksprice was really good. I tried the site and liked the slick, clean interface. It basically does what it says it does: searches across a lot of different book sites & shows you comparisons of the prices. I tried Gotz & Meyer by David Albahari, a book I just bought for 15 bucks at the translation conference. I loved the book and was thinking of buying it for a couple of people I know. The most interesting feature of Booksprice is the ability to compare prices on multiple items. I stuck 5 books in my basket: Gotz & Meyer, Kalila and Dimna, Le Guin's translations of Gabriela Mistral, "Unmentionables: A Brief History of Underwear", and Naciste Pintada. I got a choice of two different ways to buy all those books, one significantly cheaper than the other. The idea is that if you can get all the books from the same source, shipping charges will be much cheaper. (Or will they?)

I took out the book in Spanish and tried again. The results ranged from all the books+ shipping for $44.35 (all new) to $136.85 if I bought them all individually from little stores on abebooks.com. (I often use abebooks for books in Spanish, actually - I'm not dissing them.)

The site seems to operate from cookies - it tracked my recent searches, but never asked me to create an account. It has another cool feature - you can look up amazon wishlists from within Booksprice.

Their spam offered me a free copy of Orhan Pamuk's "My Name is Red" or "Snow" - books I've been wanting to read anyway -- whether I blogged about them or not.

A nice deal & a good way to treat potential customers. Though... of course... who are they, and why are they? What business? Perhaps they're really a branch of Amazon. Or maybe they get a referral commission on books you buy through them?

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Friday, October 20, 2006

Reporting on the conference

I'm liveblogging the ALTA conference on the group blog, literarytranslators.blogspot.com. It's a lot of work - I'm working very hard to make it not too sloppy or raw; to add links; and to get details, especially people's names, correct.

I hope it's helpful to give ALTA members and others an idea of what the conference is like. (Probably some people here think it is pretentious or annoying or that I'm checking my email, or being disrespectful.. but just so you know, my intentions are good. I try to sit in the back of a room, so as not to disturb anyone too much with my clickety typing noises or my unfortunate fidgeting.)

I'm hoping to get more translators to sign up for the group blog - even if they write something only a few times a year, it would help to make the ALTA blog lively, fun, and valuable to everyone.

I had trouble getting on the Hilton Bellevue hotel's wireless, despite having paid for it. The manager, Frank, happened to walk by while I was asking if there was a particular problem, or a place with better reception, so I could send out my conference reports. (A 'mere' blogger, behaving all biggety, like a journalist.) How wonderfully nice - Frank gave me a hotel room right on the 3rd floor, not to sleep in, but to sit in with privacy and quiet and reliable wireless access. I appreciate it, and am finding it's helping me to keep my head together in the whirl of social networking, to disappear for half an hour periodically during the day.



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An apology and a resolution

I talk a lot about the exposure of process, and about the risk of making mistakes. For the 3rd issue of "Composite: Multiple Translations" I worked with a guest editor, Sholeh Wolpé, who curated the translations of a poem by Forough Farrokhzad. Unfortunately, in our process, I made some crucial mistakes, and so distributed perhaps 10 or 20 copies of the issue that have errors in Sholeh's translation on pages 12 and 13. At her request (and with great contrition and embarrassment) I withdraw that issue, and as soon as possible will correct the error (in the breaks between stanzas, and the loss of italics) and will reprint the issue.

What I learned here is that, having often acted as a maverick publisher, I had insufficient collaborative process. I proofread, edited, did layout, corrected typos, etc., putting in a lot of hard work. However, with a guest editor (and maybe, too, with all the poets in an issue) I should send proofs before I print, rather than rushing to print with my usual impulse towards quick execution, instant gratification, efficiency, and a short attention span.

As a seat-of-the-pants xerox zine, again, I'm not used to operating with that level of formalism. However, I find now, of course, that that's no excuse.

If I gave/sold you a copy of this zine, please email me your name and snail mail address, and I'll send you a new, correct version! (Destroy the old one.)

So, one problem appears to have been in file formats between computers and computer software.

But the other problem was in my lack of collaborative process. I'll try to be better about that.

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Monday, October 16, 2006

Litcrawl report

Litcrawl swarmed across the few blocks on Valencia and Mission where I spend quite a lot of my time in San Francisco, betwen 16th and 24th. I started out parking on Mission, checking out the clothing stores, & then worked for a bit in Ritual Roasters, ran into Annalee and other people I knew. Noticed that public-event feeling where people were being unusually friendly or nice on the street, a convivial fellow-feeling, conspiratorial.

I figured that on the way to the reading I planned to go to, the MIssion poets at Dalva, I'd peek into the translation readings. Peeked. Heard John Oliver Simon do a very hilariously Ezra Pound-style reading of his translation of Gonzalo Rojas' poem about Canto-Poundiness & imitators. Voice quavering in majestic rolling sweeps! I laughed my head off. And it was a great poem. He read the X405 poem about prison and the polyhedrons that was in, I think, the "Cells" issue of Two Lines.

Then nipped out to go to Dalva. No such luck. I could not shove into the room down the narrow corridor to the back. Damn.

So, back to the One World reading at Abandoned Planet, where I caught Chana Bloch reading a prayer for peace from a book called "Open Closed Open. And "The Politics of Applying Moderate Physical Pressure". My notes are not great - I was listening to hard to take notes. I liked the poems. Then Nasreen and Hamida Chopra reading English translations & doing Urdu recitations. hamida's recitations were amazing - masterful - I was fascinated with the form. Olivia mentioned "Moshaira" (sp? look for link) or the "Urdu Poetry Slam" which happens soon in Berkeley. I listened as hard as I could try to learn words and hear patterns and try to match them up with what I heard in the English. "your voice" - i could hear the powerfulness in the urdu where i did not hear it as much in the English; form and density. "There's no messiah for a broken mirror" - an amazing poem. Fez Amit Fez? I'm sorry if I spell everything wrong... I loved this poem to death. wealth - goblets & mirrors are made - they auction off mountain after mountain, ocean after ocean.

Niloufar Talebi from The Translation Project read translations from 5 different poets writing in Farsi - all from Iran and all living outside of Iran. Heavenly variety! My notes are sketchy and I haven't looked up spellings but I'll do that and correct & add links:
1) poet living in Australia "Post-Cinderella"
2) Dena? Bina? b. 1934 fled 1979 living in Sweden "Yearning for Sari" (region in northern iran)
3) guy - also in sweden - "Book of Fear" - "Fear #45"
4) Ziba Karbassi - b. 1974 left 1989 living in the UK monolingual "Revolution" - very powerful poem like a children's rhyme- "starheart" - whoa! I reacted v. strongly to this poem and want more
5) Abbas Saffari - lives in u.s. published frequently in Iran - translated chinese, japanese, ancient egyptian, erotic poetry. "Revenge en Tehran"

A fabulous reading. Then I was off to Encantada Gallery for the Flor y Canto reading organized and MC-ed by Alejandro Murguia. He declaimed "O California". Ananda Esteva read "When Latinos go Buddhist" and "Notification of Baggage Inspection" ffrom her book Pisco Sours. Milta Ortiz recited [Take me off this timeline I'm on] about not getting married. and then a longer piece about relationships. I liked the salute. "your nazi girl reporting for duty sir! mission: no feelings! objective: pleasure!" That cracked me up... rueful recognition... Luis uribe recited from Hummingbird's Daughter - excellent - "Teresita, only a goddamned idiot wouldn't see god in a taco." Ruben Alexander Barron lives in the south bay - book "American Poet" - told story about monks and river and "bbrother you are still carrying her"... dithered a little shyly and then declaimed, ranted, denounced "Imperialism" in a fiery beautiful wave of conviction & rhymes. YEAH! Alejandro did another piece for us - El Camino - y "16th and Valencia" about poets & rage, blew me the fuck away. Harold Norr, Oscar Ceta Acosta. "even the furniture was angry" "I knew this was the last call... dying for nothing, freight train ... a crazy mutiny aboard a battleship every porthole filled with anger and we are NOT LEAVING." "quicksand swallow me up or the FBI... make this poem a jungle..." I dig his work, beautiful revolutionary strong violent steadfast humorous & humanistic. Chicanopalooza mentioned & exhibit at museum

Then I was off to Writers With Drinks & Manic D Press at the Latin American Club. Charlie MC-ed the first half. The room was fucking packed so I weaselled up to the front and sat at the back of the stage; I could never stand up that long, my knee is too messed up. Alvin Orloff read - from novel about a whiny telemarketer. Lauren Wheeler - poet - erotica - whip - some very sexy stuff - Claire Light read her story about the men gone and the boys disappearing, a beautiful story and the beginning especially beautiful - the onions & crease of armpit & breast & the way the boys feel their tongues in their mouths - and then I ahve read many people's attempts to make people see what men's rapability would really mean, what it would take to reverse the power structure and dynamic, and this story did it; how narratively to establish some of the injustice of a system, terror & helplessness & bravado - I liked the end. Why she says the story isn't done, I have no idea - Justin Chin read an amazing long piece about... well... damn, it starts out about his dad in heaven playing golf with Celia Cruz. His work fucking rocks. I would like to hear him and Steve Arntson read together, so they could hear each other. Then Jennifer Blowdryer read from her recent book, the how-to-be tranny one, snarky and funny - Jon Longhi read some stuff from wake up and smell the beer, which was all funny and good but i have already by coincidence heard him do everything he read, twice or sometimes more, over the last couple of years! It was good anyway.

Amazing tacos and ceviche at Taqueria Can-Cun at mission & ... 20th? 19th? somewhere. Then to the Elbo Room for the afterparty which I slimed into since I didn't have an invite. Ended up sort of making out scandalously in a photobooth with Meliza and her partner. They have the photographic evidence with my phone number and a lipstick print on the back. None of us were even drunk. Told them the strange story of my fantasy about me and Buzz Aldrin in our lunar rover. Meliza and her partner just got married in Vegas! In my opinion it makes a party better to have some wild child types careening around giggling & floozyish & flirting - so why should it not be me. I'm doing it for you, people. My noble civic duty.



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Saturday, October 14, 2006

Art 21 poetry reading - October


Art 21 poetry reading
Originally uploaded by Liz Henry.
The art gallery was full of amazing paintings this month! I briefly met Teresa Hsu and admired her huge paintings of rocks... the sort of thing I wish I could capture when I'm staring into a clear stream at wet pebbles, very beautiful. Then, as I was setting up chairs for the reading, I ran into a wire sculpture of the gorilla. The gorilla won. Ph33r the gorilla! Susan, the gallery owner, helped me to tape my bleeding nipple back onto my body with bandaids, and a fierce adrenaline rush fueled my MC-ing for the rest of the evening. Who knew I'd get a free piercing?! Just one of the perks of the job.

Dolores Hayden opened up the evening with poems from her recent book American Yard. I scribbled down some lines, but since she gave me a copy of the book (Thanks!) I can fill out this bit from "For Rent" that struck me:

...long views expand,
command wide axes everywhere,
entice your kind of hairpin vision,
a swaying wide and cambering in.

Maybe just because I like the word "cambering", back from when I had a wheelchair with cambered wheels. Camber, limber, lumber, climber, words that seem clumsy but instead - nimble. "Hairpin" in close proximity to "camber" made weird neurons fire. I was also superenthralled by "Target Practice", a multilingual poem about crows in Grenada, which I heard as a complex noticing of racism and misogyny... or we could say "race and the feminine" but hey. It's a fabulous poem. I might talk about it at the ALTA conference at the panel on multilingual poetry.

Kate Evans read as the second featured poet of the evening, mostly from her very very recent book, Like All We Love. The first section, and first poem, "First", focused in on mortality... Kate commented that a lot of poems were about being in bed, sex and death, you know... and there were cheers and hoots from the other poets, of "Right on!" She read a long poem about her father, her suburban childhood, and her father's illness & dying. I most enjoyed the poems from the middle section - or were they from "Fluid Self" ? - on Ginger from Gilligan's Island & on the Wizard of Oz, but that's because I'm shallow. Her "Diet Poem" was a whole different animal, very oral, very spoken-wordy, excellent out loud, playful and thoughtful.

So, wow! What a nice result from my call for poets on the WOMPO women's poetry mailing list. When I did that call, I noticed that about the first 5 or 6 people to write to me were men. I was not specifically looking for women for any reason - I just asked because that's the poet list I'm on that I like the most - But think about that for a bit for what it was. Perfectly nice men - but they rush forward without doubt or hestitation for self promotion in a context that is in theory focused on women and their work. For example, were I on a poetry list for gay men of color, which existed to discuss gay men's poetry and aesthetics and history and to promote their work, and someone asked for poets on that list, I might *think twice* about answering... And if as the person making that call I got my first 5 answers from straight white women, I'd be perturbed... And so I was very happy when a few days later, the emails from women poets began to come to my inbox.

We had a break, with Steve Arntson playing Chopin and Mozart for us on the grand piano with his usual delicacy and passion. Whenever he plays Chopin I freak out and travel back in time to when I was 13 or 14 and playing that stuff, picking out complicated nocturnes and frisking through waltzes, preludes, mazurkas; while for me it was a joy to exert this immense effort to manifest a tiny percent of what I felt, for Steve it seems more like breathing - he plays so effortlessly and beautifully. It's a pleasure to hear. (But also makes me SO jealous.) Oh, and he brought the fanciest cake ever, with fruit and whipped cream and white chocolate painted with stenciled designs - delicious! Thanks, man!

I talked with Brenda about the next issue of Composite: Multiple Translations, and then ended up somehow spouting off to Dolores about my enormous Anthology. She was intrigued and very encouraging, saying wild things like "But, you should send queries to the Oxford University Press! To Norton! A perfect textbook! Important!" Which was sort of like hearing someone say "You should, of course, just fly to Mars! The Martians will crown you as their Queen!"

Anna Coulter started off the open mic session with some poems from her new art book, which I think is called "Transformations". She's having a show at Art21 next month, which will intersect with our Art21 poetry reading! Jane Kos read "Corrido" and announced the next meeting of the Redwood City Not Yet Dead Poets Society. I should mention here that the NYDPS founder Anatole Lubovich - and I've written about his poems, and his death, here before - Anyway - you can and should order his "Selected Poems" published posthumously - from booknest@sbcglobal.net, the Book Nest in Los Altos. What an amazing guy, and I still miss him a lot in all our poetry scenes on the Peninsula!

Rob Neville read "The Barrel of a Gun", about violence, guns, and cancer. Brenda Simmons read another poem that had bullets in it and that I really loved - and thought to myself that it's been at least a year since I've heard her read and her work is going in some interesting directions - more compressed, more saturated - but I didn't write down any lines, unfortunately. Steve Arntson recited a huge chunk of a long poem about the Lewis and Clark River, another geographical historical philosophical exploration of reality and fiction, as usual exploding my mindscape!! David Cummings (I was so waiting for him to read, and hoping Dolores would not read, because I felt that they would especially like each others' work!) really outdid himself with amazing excellence in a long poem, I didn't catch the name - "as if mysteriously roused from the drifts of a greening sleep - " More bullets and war and death and catastrophe and subtleties piled on top of each other so that listening was like deciphering sedimentary strata after millions of years and several earthquakes. It was some good stuff, I'm telling you.

Susan, the gallery owner, read a beautiful piece about realizing you're not lost in the forest - the trees know where they are and where you are. It was a nice reminder for me to chill and walk with the flow of life as it happens. I read two of my translations of poems by Carmen Berenguer, because I'm totally in love with her lately, and translating her is a freaked-out violent joy. Read from "Bala humanitaria" ("Humanitarian bullet"), continuing the theme of bullets and war, so appropriate since we're perpetrating an enormous criminal horrible war at the moment in this country; and "Mollusk" which is lighter but super fun to read out loud: it's about, well, "about"... femininity and performativity and capitalism and objectification and violence against women - while being short, deceptively simple, and funny. I should try to memorize it for the Declamacion at the ALTA conference.

Talked a tiny bit with Dolores' husband Peter, who is a sociologist and novelist. When he said he wrote about Africa and also young adult fiction I suddenly was like "OMFG am I talking to Peter Dickinson, say it is not so!" No... it was not so. That really would have been too much for my brain to handle. But I'll look for his books.

What a nice time I had - I felt happy and in a loving poets' community - I only wish more of the "usual suspects" had showed up this month, because they would have enjoyed the features and been enjoyed in return. Though it was a small reading, we definitely had critical mass in the party sense, with the jazz going, the wine flowing, people all talking, and a nice feeling of convivial bohemian artiness, wine-and-cheese-party palo alto style.

That's enough, I think!

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Friday, October 13, 2006

Nitpicking at Langston

So, I keep vaguely talking about Hughes' editorial choices - what, of Mistral, he chose to translate and present to a U.S. English-speaking audience. Selecting poems to represent a poet's work is a hard job! I respect what he did, and yet have many critiques of it. And how it was read - as critics and other poets and editors praised him for capturing the essence of Mistral's womanliness. Leaving aside the problem of Mistral's mystical womanliness - for someone so complexly genderfucked - I want to look at some of Hughes' choices as a translator. Specifically, I want to nitpick a translation and in fact, I would go so far as to call it a complete misreading. A gendered misreading. (I have more to say about Mistral and race, and Hughes' biography, and how here, Hughes wanted to see and believe in that nurturing mixed-race populist world-mother that in fact, Mistral represented herself as, and bought into. But this poem in particular struck me as Hughes' mistaking of Mistral's coolness and her radical position as a woman writing women.

Here is the poem in Spanish:

ROCIÓ



Esta era una rosa
que abaja el rociò:
este era mi pecho
con el hijo mío.


Junta sus hojitas
para sostenerlo
y esquiva los vientos
por no desprenderlo.

Porque él ha bajado
desde el cielo inmenso
será que ella tiene
su aliento suspenso.

De dicha se queda
callada, callada:
no hay rosa entre rosas
tan maravillada.

Esta era una rosa
que abaja el rocío:
este era mi pecho
con el hijo mío.



What is this poem *about*? Dew... But Hughes makes it about a son. He sees a Virgin Mary worshipping her son. Sentimentally and rather tritely. In my opinion, he misses something crucial in the poem's voice and italics; it is written in two different voices! The mother (older) contemplating her own breasts and what they have done - in the bracketing stanzas in italics. And the middle 3 stanzas where her marvel at the act of nursing is described.

Here is Hughes' translation:
Dew

This was a rose
kissed by the dew:
This was the breast
my son knew.

Little leaves meet,
soft not to harm him,
and the wind makes a detour
not to alarm him.

he came down one night
from the great sky;
for him she holds her breath
so he won't cry.

Happily quiet,
not a sound ever;
rose among roses
more marvellous never.

This was a rose
kissed by the dew;
this was my breast
my son knew.

To nitpick further. The winds are not making a detour; if they were, they'd be "esquivan" not "esquiva". So the winds are not the subject. I'm just saying. Rather: the rose and her petals avoid the wind, to protect *the dew*.

Here is my translation:

Dew

This was a rose
covered in dew
This was my breast
and my nursing baby.

She pulls in her petals
to hold the dewdrops,
and shies away from the wind
lest they loosen and fall.

Since the dew has descended
from infinite heaven,
she'll have to
hold her breath.

At her great luck, she remains
hushed, hushed:
out of all roses, this rose
is so amazing.

This was a rose
covered in dew
this was my breast
and my nursing baby.


(disclaimer... I could improve on this if I fiddled with it for a while longer. That's actually a first pass effort.)

Yes, she is marvelling at her baby. But first of all she is marvelling at her breastmilk! That's the point! She's stunned, quiet, amazed, holding her breath at the amazingness of the milk - not only at the fact of the baby itself! It's way more like Inanna applauding her wondrous vulva than it is like a Hallmark card about a mom cooing over her babe that came down from heaven.

Yes, I do think I can grok a poem about breastfeeding better than some dude, no matter how cool he is. (And he is cool - I totally love him. But I do not really love his translations of Mistral! Oh, Langston! )

Just a little translatory rant to liven things up. I could pick apart quite a lot of that little Hughes book, in totally insane detail.






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Wednesday, October 11, 2006

Literary events coming up

Tonight I'm going to the Marsh Theater to Lynnee Breedlove's "One Freak Show". Come and join me! Maybe dinner or drinks afterward?

On Saturday, for Litcrawl, I'm going to:

PHASE I, 6–7 p.m.

Dalva (21 and over)
3121 16th Street
Poetry Mission: Spoken Word Poets Take the Stage
Lineup includes: Rupert Estanislao, Leticia Hernández-Linares, Ise Lyfe, Phillip T. Nails, Dan O., Aimee Suzara, and Kirya Traber. Emcee: Elz Cuya.

Sounds fabulous, I like Leticia's work a lot, don't know the others, so the draw for me is getting to hear work I won't otherwise hear.

OR

Abandoned Planet Bookstore
518 Valencia Street
One World, Many Languages: Literature in Translation
Lineup includes: Chana Bloch, Hamida Banu Chopra, Zack Rogow, John Oliver Simon, and Niloufar Talebi.

I love all these translators, but actually, will see most of them next week at the American Literary Translators conference in Seattle! So that might mean I skip the event where all my homies will be.

7:15-8:15pm

No question here, I'm going to this. Genderqueer is at the same time and I want to support that event but I already know most of those people and their work and hear them at queer readings.

Encantada Gallery
908 Valencia Street
Flor Y Canto: Chicano/Latino Writers in English
Lineup includes: Ruben A. Barron, Ananda Esteva, Melissa Lozano, Alejandro Murguia, Milta Ortiz, and Luis Alberto Urrea.

PHASE III, 8:30–9:30 p.m.

No question here, either. The Casa del Libro event looks good too but I am a huge fan of WWD.

Latin American Club (21 and over)
3286 22nd Street
Getting Boozy: Writers With Drinks and Manic D Press
Writers With Drinks: Claire Light, Lauren Wheeler, and Alvin Orloff. Emcee: Charlie Anders. Manic D Press: Jennifer Blowdryer, Justin Chin, and Jon Longhi. Emcee: Jennifer Joseph


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Biographies for children


The Crisis
Originally uploaded by Liz Henry.
I'm reading up on Langston Hughes, his biographies and poetry. The more I read about him the more I love him.

I read all the juvenile non-fiction biographies of him today, and noticed fascinating differences over time. Early biographies from the 50s and 60s simplified his early life. Later ones complicate it more and more. It's not made complicated according to the intended age of the reader. In fact the most recent biographies outline all sorts of complexities; his mom's poverty, his mom and dad's breakup and attempt to get back together, his living with his grandmother; his stepdad and stepbrother, the failure of his mom's second marriage, etc. etc. Even how later in life his mom reproached him for not sending her enough money... but he still loved her and sent her as much as he could.

In the Alice Walker bio from the 1970s - aimed at elementary school kids - the n word is used liberally and there are detailed descriptions of racism... and a description of his dad's racism against Mexican native americans... While later bios from the 90s mention racism, but gloss over it, and leave out n***** and avoid mention of Hughes' poems that use the word, like Mulatto - unlike the earlier more hard-hitting bios and anthologies.

You don't get that kind of overview of the changing ways that history sees and frames a person, or their writing, and their political meanings, from reading one (the most recent) biography. I thought this "junior biography journey" was pretty interesting! Especially for Hughes, who wrote so many books for children himself, including biographies.

And I should have taken better notes - in fact I'll try to go back to the library and write up the 5 or 6 biographies that I read, with citations.

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Sunday, October 01, 2006

The impulse to be minor

When I'm editing a wiki, even privately, I have the impulse to click "This is a minor edit," even when I've made significant changes. It seems presumptious to have an implied "major edit" be the default. I don't want to contribute too much noise to the signal of the wiki's Recent Changes page.

Part of the impulse to label all my edits "minor" is because I twiddle and save frequently; I'll edit a few words out of a sentence here and there, save, and go right back to that paragraph. I blog that way too, screwing up everyone's RSS feeds, publishing carelessly as an idea comes, and then fiddling with the entry over the next hour as I realize my phrasing was clumsy or a new idea, related, strikes me.

On a related but different level, I believe that it is important to expose the process of thought, the evolution of intellect, the muddled waters where research and inspiration meet and ideas coalesce. Many people don't know how to think; they don't think they think; they can't see themselves thinking, because they only have seen "finished products" and never the intermediate stages. Uncertainty is forbidden. It is private. It's personal. It's weak and vulnerable. That is a limitation I see as unnecessary. It is often useful, but not always. It's a barrier to collaboration and to learning.

But then I wonder if both these behaviors in myself, the constant "minor editing" of blog and wiki, might signify an asymptotic process-focus, where I regard nothing as done, nothing as major, nothing achieved. My poems remain in their notebooks and rough drafts indefinitely. I consider even my master's thesis as a "draft". It pains me to refer to it as finished.

Gender plays into this. Women underplay their acheivements & work. I do it too. I don't want to bring attention, or be under fire. I rarely feel any work is done, good enough; I might change my mind. Everything could be improved. I can think of someone who has done part of that, or expressed the idea, more neatly, more professionally. And yet I consider myself bold! What baggage, what damage, we carry.

A good friend and I were discussing this the other day as we rushed to deprecate ourselves and our collaborative work on our own private wiki. "I haven't done enough." "No, I haven't done enough!" Then we realized what we were doing. The conversation led to our discussing how we compare our own work to the best in our field, come up short, and feel we are impostors. As I contemplated this impulse in myself I realized I compare my own thesis, as a work in progress (seriously, it's not really *done* done, no matter what the diploma says!) to writing by women 30 years older than myself who are on their 10th book. We are not comparing ourselves to our peers, but to the best we see -- and worse than that, to the best we can imagine. On some level I am proud of this impulse, and think it will help me to keep improving my work for my entire lifetime. However, this strange combination of arrogance and humility can be a huge obstacle; when it blocks me, I have to try to break myself of the mental habit of "being minor."

As a generalist who is constructing anthologies, I also put a lot of pressure on myself, and feel pressure from outside, to have depth of knowledge as well as range. I cannot be as much of an expert on each poet, or each country, as women who (again) are usually far older than myself and further along in their careers and who have focused down in a narrow area.

Despite all these things, I am becoming more and more comfortable claiming authority. I credit technology and the control over the means of production that it's brought me with part of my own intellectual evolution. Without the freedom to publish and edit, publish and edit, in a cyclical pattern, exposing "drafts" -- unlike the publication of a book that would have to start out more perfect that I could imagine, and that would never be fixable -- I would not have had the confidence to step into a public forum of ideas. My notebooks, essays, poems, and all that would have stayed, like so many other women's over history, in diaries and personal letters.



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Sunday, September 17, 2006

Focus resolution; geek love

Looking back on this blog - I realize I should focus a bit more. Liveblogging should probably not go here, but somewhere else, and I can link to it from here.

I could also go back through every post to add tags. Cleaning up my other blogs seems impossible because they're too huge already, but this one's not so bad.

Why this blog? I thought it could help me to have a public non-pseudonymous presence. I have these essays on poetics from a few years ago, which I should post here and be done with it. I have feelings that my thoughts and visions about literature and blogging and my approach to the Internet have roots in common. Whatever that unity is, I have not yet found a way to explain it, even thought the feeling's still strong.

Since my first encounter with computers and even the thought of AI, I have felt that computers in relation to humans are beautiful. Part of the love I feel is twined with feminism; the Cyborg Manifesto expresses this very well. Now, I had not read the Cyborg Manifesto when I was 10 and pounding away on the keys of my neighbors Apple II or Kaypro to make it write poetry. And yet felt so deeply sitting there that I was in love in an science-fiction-loving way, with the future, with a key, a key to liberation or unity of something broken in myself and in society. Before my contact with the net, I loved the idea of it. In front of the fuzzy glowing green letters on the black screen my mind was taking off to imagine infinite things; my own robotic arms extending into space in a mining colony, or the beautiful moment when the computer talked back. When you meet a tool like that, that is not quite a tool, that is an artistic medium but more than that, it's an important moment. While all machines have beauty to me, I don't feel the same about a xerox machine or even a typewriter, though maybe about certain architecture or performances or cities. Complexity, constructedness, potential and space - space as in room; an organic work of art that invites participation in its own construction. It makes the human imagination bigger. Some vast imaginariness collective unconscious reservoir of potential opens up!

This is nonsense and mysticism, but I still want to talk about it.

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Saturday, September 16, 2006

A thought on cultural appropriation

I was thinking of this today, as I did my "bridgeblogging" and some translation from Spanish. So went to look up the exact quote. It's from Revolutionary Letter #31 by Diane Di Prima.

better we should all have homemade flutes
and practice excruciatingly upon them, one hundred years
till we learn to
make our own music


(In contrast to children in Bengal spending their lives in factories not singing because singing is for export, for Folkways records.)

I do try to "practice excruciatingly" - thus my blogs and poetry. I understand what Di Prima is saying - it is the "Are my hands clean?" of Sweet Honey in the Rock's song - and the answer is no. I wonder if Di Prima listens to Folkways records. It is a poem worth thinking about, even if you don't live by it, as I am not.

I hope that my blogging, reading and writing, have a net benefit for everyone. As a translator I do worry about this and issues of "cultural capital" and I don't really have an answer. Oh, the guilty socialist intellectuals who don't know what to do! I'm not complaining, but there it is. I wonder if it is that I believe not in Art (which di Prima's poem is against) but in Information. Well, against it when it's set against the value of human life. "not all the works of Mozart worth one human life". Instead we believe we are saving lives by our techno info hippie art - but whose? Whose lives or whose privilege?

I believe in what I do! But I remain suspicious of it and of the structures that support it.

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Sunday, September 10, 2006

Licking the sun, or hot lava, or something

Now here's a fine sounding event... which I'll just repost even though I'm white and not in Brooklyn. Just to wave my pompoms a little bit in the general direction, and spread the word.


Tongues Afire: Creative Writing Workshop for Queer Women, Trans Women and
Gender Non Conforming Women of Color*
October 5, 2006 - December 14, 2006
Workshop Facilitator: R. Erica Doyle

What: Creative Writing Workshops

When: Thursdays, 6:30 pm - 8:30 pm

Where: Audre Lorde Project, 85 South Oxford Street; Brooklyn, NY 11217**

How much: FREE
How to Apply: Send an email with your contact information to
tonguesafire@gmail.com to register for the workshop.
Space is limited and available on a first-come, first-served basis.
Registration Deadline: Monday, October 2, 2006

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Tuesday, August 29, 2006

Feminism and blogs

There's a panel on November 14, Blogging Feminism: (Web)Sites of Resistance, at Barnard:

Of the internet's viability as a tool for political change, we ask, is there a better example than the blog? Young and youthfully minded feminists have learned that blogging allows them to carve out personal and political spaces where their lives, their issues, their analyses of the world can come into sharp focus. Outside the confines of mainstream media, where women are addressed (usually exclusively) as consumers, feminist bloggers have become the cultural producers blazing some of the most radical and rousing paths toward revolutionary social change.

In celebration of the publication of this fall's issue of The Scholar & Feminist Online, guest editors Gwendolyn Beetham and Jessica Valenti come together with select contributors to discuss how feminists are fulfilling the promise of creating a cybercommunity dedicated to securing a more just and peaceful world. Panelists include Lauren Spees and Michelle Riblett, BC '05 (Hollaback), Liza Sabater (Culture Kitchen), among others. Join us for a spirited discussion of feminism in the 21st century.


Good! We need more discussions like this. We need to be documenting our feminism, compiling references, making solid, lasting interconnections. The Scholar and Feminist Online seems like a good step.

We've had one feminist think tank discussion in chat since the Wiscon "Feminist think tank" panel, and other projects spawned from it, like the stuff at feministsf.net - a group blog, a wiki, a carnival of feminism in SF, and more.

I still think that Wikipedia's dearth of information on feminism needs to be addressed and fixed, but we also need new tools.

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Virtual Poetry Slam

This contest looks pretty cool. Citizens for Global Solutions is holding a virtual poetry slam video contest. Video yourself and upload it to their blog. They ask for a focus on the environment. I'm not sure what the other guidelines are.

Cash! First place - $500; second place - $250; third place - $100
Top entries will be posted on our website blog on a rolling basis as we receive them. So, hurry and send in your video. The contest deadline is October 15th.


It's a good idea. I wonder how much poetry performance is on YouTube already? Let's take a look, with a search on "poetry" with the highest ranked video at the top.

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Sunday, August 27, 2006

Barcamp presentation on Celestia


barcamp stanford
Originally uploaded by Liz Henry.
A few slow moments, but impressive and cool as hell. In the application, Celestia, you can fly around to planets and stars, see orbits, etc. And each star or planet or whatever has a ton of information. Rod lectured us on luminosity. Galen let us know that Viga is the coolest moon of Neptune.

This presentation generated the best quote from barcamp stanford:

Audience: Hey Rod, what are those green lines?
5 year old kid: Those green lines? Those are curved space-time.

I could only lie there on the ground and whimper, that was so cool.

and the next best quote:

Galen: Can we see Uranus?

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flickr video generator

This thing is extremely clever. From the command line or with a little cgi interface you can put in a keyword and number of images. The application fetches that number of tagged images from flicker and puts them into a quicktime video format. hey presto, instant slide show/video thingie.

I think someone wrote it this afternoon. (That's why I'm not linking to it. I'm sure some version of it will be public soon enough.)

I could take all the photos from Milo's stop motion animation projects, put them on Flickr with a unique tag, then generate a bloggable video way faster than i could on iMovie.

Now we need the streaming audio to go with it!

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43 Things

Ooo... I could build some sort of bloggity tool using the 43 Things api.

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Barcamp Stanford - Notes from Day Two (rough)

BarCamp Stanford - Sunday Aug. 27, 2006


It's nice to be in the English building at Stanford. I think of all the times I've been here for literary readings (or job interviews). Now... how odd to be here for a computer conference.

*** first session ***
Guy talking about mashups. He's from the stanford hci group.

henry ford museum. toy thing. little houses, magnetic. close circuit on a map. you can move them around. and it hooks up to google earth for a flythrough.

[Horribly... my first thought is that it has a direct military application as you could make your little models of the war front especially urban, flyable in simulator]

he has a slideshow. Their whiteboard has its own flickr account. big red staples "easy" button, camera in ithe ceiling takes a photo of the whiteboard, sent to python scripts, then you can safely erase the whiteboard.

other guy - can you actually read it?

mashup guy - yes.

Adina - do you have a recipe for it?

speaker - yes , here it is (shows diagram)

mashup guy - shows how they made it a sketch/animated thing.

example #4 - color field cam. like the flickr color picker mashup. but in the real world. point at a color, and you get flickr images that match the avg colo

question - how offten are you updating

mashup guy - not that fast... ilt is cached...

mashpits... start witout a

hci human computer interface. venn diagrams.

- things that live online (green
- live in interface physical space (red
things that live on computer. (blue

the intersections need the glue! most mashups are in the green section of "things that live online". what goes in the other areas of the venn diagram?

....
liza loop: kids, younger?

mashup guy - lego mindstorms, other ones.

[i'm thinking of nintendogs and tamagochi ]

Back to glue.
green + blue = flickr, python api
red + green - shared phidgets, sensor nets?
red + blue: d.tools

Hotglue. a surface adhesive. duct tape. (screen scrape, poke)
dovetail joints - precise fitting, beautiful, parts know about each other. deep integration (public api)

http://mashup-tools wiki. password is design

easiest ways is not thru keyboard interface
but to arcade controller people... they are these 20 dollar boards...

Kent brewster - new developer network. was a hobbyist.
showing spiffy!search.

myweb at yahoo. tagging stuff.
picocricket....

brewster's field guide to web 2.666 — kentbrewster.com/spiffysearch

okay, that's spiffy. search that come s up with popup menu style list of stuff and you click on the side doohickey to get a popup window for you to tag it. works with delicious

Hell yeah, this looks handy. Then I could import it straight onto my blog with rss. my tags I wonder what it will look like using delicious. (is this link going to work... i think not. fix it later.)


Chris Messina - doing tech and flow.


sunday sessions. ID 2.0
tech a nd policy.
Online problem solving, politics and conflict res
Astronomy sim
co-working
mashups lighting talks @ lunch


****


me and a dude from microsoft... Nima... wearing laughing squid tshirt. I demo kent brewster's thing... he tries it...

I whine that flock has not given me a pony yet. their search yahoo toolbar thing does not have a function for me. kent's thing is better.

me and tantek talk abut information absorbtion speed and reading and habits. it needs to be fast like a video game. that is what we grew up with. keystrokes. I can play nethack or use vi without thinking. I want to browse, search, and read blogs that way, with fast muscle memory ingrained. tantek says the myweb thing is nifty but like many such tools it assumes way too slow an information stream and that you will maybe look at 10, 20 things... not 300- 500 a day. we need batch tagging.

I need to turn on a bunch of tags so that everything i do in a space is tagged with something.. like if everything i noted today till 5pm was tagged barcamp stanford techie, that would be useful for me & then I could toggle it off again . (again i am thinking of nethack or emacs or something. screw clicking.

****
tech and policy discussion

john pete nima todd tim adina tracy silona christine (mit limewire) tantek liz


Adina - 1) tech policy 2) partisan electoral politics 3) Deliberative. figuring out consensus building etc.





***

bill in congress right now passed house july 26 410-15 vote. DOPA now anything with social network is illegal in libraries and schools.

liz - all libraries or just kids room

pete - just kids room i think

pete - is lookign it up. if you have contact info on it... then it's too much. blogger comments might be illegal.

adina - it's not law yet. it's passed the house it's in the senate commerce committee. The next step here is to contact the members of the senate commerce committee. senator boxer from CA is on the committee. Contact her office. let's look for creative ways to get web 2.0 people to communicate with the people on that committee.

nima - a lot of big companies like google, microsoft, yahoo, are affected

pete reads to us from wikipedia entry for dopa. forum, chat room, im, email...

liza - thats like outlawing cell phones
pete - it's like outlawing http.

adina - they are going on parents who are worried... socially conservative suburban family votes, going into election season.

Adina talks about the stuff they did in Texas. It worked - they affected policy.
there was a billin the tX state legislature favored by the telecom industry , make it illegal for cities and towns to provide wifi and broadband service for that city.

Adina talks about that groups' specific strategies. blog, mailing list, private wiki. collaboratively wrote the documents and position papers. this was all basically free, using ffree tech and our existing skills.

***
kid break.
Rod (5 years old) is drawing on a white board in a room for Milo & Galen. He made an outline and a diagram and was lecturing them!

***

another kid break - i go up and down 6 flights of stairs several times - they are in the basement on the couches under the stairwell. there is a dungeon.

***

best practices - no unified place..
liza suggests doing a lot of tagging...
silona - yah tagging
liz - but then we'll just be talking to each other, learning curve for tagging, practice of it... mobilizing mommybloggers
adina - constituency building
liz - cause widget. have easy widgets, meme thingies, with political issues, with un-dopa...
adina - events. time senstivive
todd- freepress.org
liz - countdown. upcoming.org events, a checklist
sliona - a feed
adina - email isn't useful for us anymore we need rss
liz - a todo list or a checklist sort of approach so on upcoming i do the action
tracy- there coudl be a way to add new suggested actions to the countdown/political action need
liz - and i do the action and i check it off and it's visible that i've done it , a declaration, so you see "3000 other people have done this..."
adina- a calendar/action widget

lack of structure and formal hierarchy. freaks out washington. they like to pick the most famous person in the room nad pick them to give a speech from a very high podium.

todd - it is a west coast east coast thing.

adina - this is a good fodder for the hacking mashup doit session. before that do we want a ... upstream

tim - is there a microformat use case for activism, issues, etc.

tantek - the closest thing is you could use todo vocabulary from icalendar. todo items that don't have a defined person who's supposed to do them.

liz - a social todo list. collective todo list. important to track how many people ahve done it

pete - or how many intend to do it. 100,000 people have noted to themselves to vote you out of office.

tantek - markup... cut and paste in blog post - integrated tools that m ake it trivial for someone to integrate into blog post - in wordpress, moveable type.

43 things site - public todo lists - existing human behavior - so why not put this on your own blog.

liz - repeats what pete said about 100K people vote you out of office

adina - would be interesting for a codeblue tool....

pete - can you subscribe tot he feed of people who subscribe to skydiving...

tantek - hmmm the list of people who have "vote" on their todo.

oooo!

pete - digg thing of a flash visual of what's being paid attention to. on 43things they are doing something similar but it's todo items.

liz - imagine the realtime poll thingie in newspapers tracking what people are paying attention to

todd - site called ....? dopa... campaigns wikia

tantek - i's on wikipedia

tim - voter information guide, getting past partisan yelling, there's a growing community on that. get a page up on there on DOPA.

silona - he just put a polling piece on there.

adina - the eff page is a good resource for it.

Adina - so, campaigns is different from neutral point of view.

Tim –
Adina - I have no interest in a neutral point of view on DOPA.

Adina - discussion of wikipedia article - it lacks a description of the unintended effects. Let's flesh that out.

Todd - CPSR, Leage of Technical Voters, EFF - that's the place for it but Wikipedia isn't necessarily.

Adina - once you're up to the point of doing pro and con that means the issue has been framed for you already.

tantek: if the battle ground has been defined you might have already lost.

adina - exactly. for or against is too late in a way, there is rethinking needed of what are you trying to.

todd - talks about campaigns wikia

pete - we could use dopa as the test case for these ideas
***

tim - a wiki edit is hard. we need something that will be like digg-ing.

who is editing. some low number of people, 1700, make 75% of edits...


tim - getting past the yelling...

Adina - taking off my nonpartisan hat. this will ruin your day. here is a map of saudi oil production. this number has been flat. the plateau starts. number of oil rigs. they start to order rig after rig trying to get more oil out of the ground. there are a # of potential explanations. they can't make any more and they are desp. trying to put in new wells in the ground. timeframe for slope. the panic drilling starts in spring 04. and then jumps up in 05. continues to accelerate now. their producction has been flat. this is peak oil.


tantek - read up on peak oil

adina - theoildrum.com

liz - that coudl be investment banks overoptimistic about investing in exploration and drilling.

tracy -o and keeping prodution flat on purpose ...

tantek- a big problem

adina - this could have a huge impact on civilization
tantek - oh it's so much worse than that. you cant even pick it apart. it's not even partisan... swap out political party

[I agree with Tantek]

adina - i disagree with you ...and i'll explain why over lunch

tantek - peak oil, read up on it

pete - gigantic value web

tantek - the layout of towns. roads, infrastructure
pete - the way food is grown and distributed

***

lunch

talking about activism
truthiness, wikipedia politics, la times attempt to talk about israel/lebanon, best practices for wiki discussions etc., todd talks about juan cole/al franken - talk page (on wikipedia) - see also timeline 2006 israel-lebanon conflict
todd - they say inaccuracies are corrected quickly but... this one is not
pete - the word "provocation " - contentious -

history & diff
tracking turbulence on wikipedia
making movie of changes to wikipedia articles.
then you could tag up segments of the movie and note "here is the meta analysis of what was happening"


more intense disc. with adina and silona about social software apps for political action memes. msg to your cell phone or todo list, your five friends all voted on x issue.. you should too... (i.e. blog-based/political dodgeball) using xfn . what if your technorati favorites (or however you tag your blog feeds) had xfn and you used that for your action todo list.


*****
Starting up again.

Adina - what about having a barcamp-style political/tech meeting.
Liz - What about the cpsr conference as a forum for that? a track to the conference?
... is it election week?
Tim - every weekend there's something going on
Silona - oct. 13 is the code-a-thon
Adina - technopolitics - hey chris, is it possible to call it a barcamp? is there a rule?
Chris: huh? oh... Are you going to charge?
Adina : no. does it matter?
chris: no.
liz : hey chris, are there any rules?
chris: No.
liz: not that i care if there are. hahaah.

***

kid oakland - bloggers united. local bloggers political bloggers...

***
3:00
dopa timescale? senate commerce - after labor day
what can we do right now

right now today
- EFF action alert
- post to your blog the DOPA widget from : http://bumpontheblog.etowns.net/?p=73

- fix to wikipedia entry. it is missing some information. about the scope of the bill

this week:
- 2-3 phone calls to boxer's staffer, the guy at Public Knowledge who's working on this, is there useful in-person stuff to do?
- things we can think of??? building a widget or a badge

action: email or call the ALA
adina : public knowledge and boxer staffer


facebook: give them a variant of the badge?
liz: who wants to edit the wikipedia page on dopa? john? You would be good at that.
John: Oh. Um. Actually I'm doing it now.
Liz: Oh. Of course you are.

***

Here's the badge, from Bump on a Blog



Tracy's to-do list on 43things, very cool: stop dopa

I signed up on 43things just to see how it works and it's nifty.

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