I'll miss Anatole. He livened up the Not Yet Dead Poets Society of Redwood City for so many years!
At readings I would often beg his tiny, thick notebook and read through it. What excellent sonnets! He was a well-read, masterful formalist with a great sense of humor - I especially liked his dirty limericks about Milton. It seemed like he was always winning Esperanto haiku contests - he was just that sort of person - truly interesting and quirky. Hopping around madly, hyper, a little guy in glasses with a neat beard, sharp-tongued and sparkly. After he moved to Sacramento, he'd take the bus all the way back to Redwood City to come to the monthly readings of the Society he founded. He came to the Chimera Books translations readings, too, and at times to Waverley.
This Wednesday at the Main Street Gallery in Redwood City, at 7pm, there will be a reading - featuring Steve Arntson, but also I am sure there will be many tributes to Anatole during the open mike.
Anatole Taras Lubovich...
Was born on March 9, 1937, in Ukraine. During World War II, Anatole and his family were interned in a prison camp and following the war lived in refugee camps in Germany. By the time the family emigrated to the United States in 1950, Anatole had become fluent in several languages and had developed his lifelong love of words. He eventually studied 14 languages, with a particular passion for English which he spoke and wrote with precision, wit and elegance. He loved literature, particularly poetry and the plays of Shakespeare. He received a degree in musical theater from San Francisco State and appeared in numerous theatrical productions.
Anatole worked for many years as an engineer and a teacher, but it is as a poet that he will most be remembered. He was published in anthologies and journals, won several awards, and was featured at readings. Anatole translated poetry into English from Ukrainian and other languages. He was founder of the Not Yet Dead Poets Society on the Peninsula and, after moving to Sacramento, became active in the local poetry community. He was also active in the local Humanist organization. He was an Esperantist, a philatelist, an opera lover, and an ardent bibliophile. Anatole passed away on November 16, 2005, as a result of complications following coronary bypass surgery. He is survived by his sisters, Lily Empie of Wassila, Alaska, and Rose Wirolubowich of Oakland, and by his significant other, Do Gentry, of Sacramento.
Published in the Sacramento Bee on 11/23/2005.
I feel like I should post something by him, but all I have is his "Ten Suggestions for Reading Poetry at Open Mike".
STAY AWAKE. When the emcee calls on you to read, be ready with a legible, familiar copy in hand. Shuffling through papers shows you're not with it, wastes time and is inconsiderate. If you've got nothing to read, dont. It's cool to come only to hear others; actually, it's more of a compliment. Don't read a poem written by another dude just to read something, and nev er read some crap you just scribbled on a napkin. Take it home; in time, you may turn it into a poem, but not tonight. Show respect for the art.
BE COOL. Don't get shook up - there's nothing to be afraid of. You are among friends who are dying to hear you. What's the worst thing that could happen? If you should make a fool of yourself, no big deal - that won't be the first time, will it?
DON'T RUN YOUR MOTOR IN IDLE. Keep an introduction, if any, very short. Do not apologize for your work, offer excuses or long descriptions of circumstances and the process of writing. Such explanations are seldom called for, and seldom will they result in your work being viewed in a better light.
DON'T SAY WHAT YOU'RE GONNA SAY. Your piece shoudl say it for you. If it does not, take another look at it. But, if the poem contains a strange word, comes in some special form, or has some other kind of weirdness, where it would be a help to the listener to be prepared or warned, point it out, by all means.
KEEP TRACK OF TIME. Follow the rules of the program; don't abuse t hem. If the emcee lets you read one poem, read one poem. If the limit is five minutes, read four, not six. Exceptions should be cleared with the emcee before, not at the time of, reading. Time your poems beforehand. Keep in mind that any introduction is a part of your allotted time. Don't try to wow the audience with the volume of your works; leave some for next time.
READ SLOWLY AND CLEARLY. Do not hurry. Read in a voice loud and clear enough so that the farthest listener will understand you without strain. Do not swallow the initial or final sounds. Mumbling is for prayers. Mumbled recitation is a waste of time of both the reader and the listener.
DO IT WITH FEELING. Put life into your words. Make it easy for the audience to feel the cadence and grasp t he meaning. Treat poetry as art. If you can't communicate the meaning of your work, how can the other cats make any sense of it? Nothing is more boring than hearing words mouthed off monotonously and mechanically.
DON'T MAKE 'EM PUKE. Different themes and styles are expected and welcome. Although neither the subject matter nor the vocabulary is censored, it's a good idea beffore reading to check out the crowd as to what the prevailing attitude of the people you are about to entertain seems to be. Do not test the hearers' tolerance by grossing them out with gratuitous obscenitites. Don't make a mockery of the art and you won't be remembered as "The Gross One."
DON'T SPLIT before the program is over. Reading your piece and then leaving without hearing those who follow is a major breach of etiquette. It is likewise a bad scene to arrive late just to hear yourself.
COME BACK (unless asked not to). It is hoped that your reading will provide pleasure and that you will enjoy hearing others. Introduce yourself to and make friends with poets in your community. Contribute to the program with your presence and support.